SIVAJI - an extravagant crap

Sivaji, the recent over-hyped movie, has been released and churning money everyday (A Rajini movie as expected). What is really there in this movie for an extravagant expenditure and tons & tons of people falling for it? I really dont know the answer.

Story goes like this.. A software engineer returns to India from the US with enormous amount of money to start an university to serve the public. Compromising on his principles, the protaganist bribes the government officials to clear the hurdles. Subsequently, the hero goes bankrupt and disinters the black money from billionaires. Converting this black money into white (a thought provoking process ofcourse), he fulfills his dream. To add spices to this 4 line story, the hero dies and comes back to life in a different identity to kill the antagonist.

Amidst this, the hero falls in love with a common girl and marries her. Shreya has done a goody goody role in dancing with the Superstar for alluring tunes and shedding some tears in few scenes. Also Rajni has tried to attract the mass with his inane comedies in the first half of the movie. Enough dissapointments for someone who expects a unique stuff (like Mudalvan etc).

Shankar, a high budget director, have maintained his trend with a skyrocketing film budget. Extravagant expenditure on song backgrounds, costumes, etc etc. Rajini's young makeover is noteworthy, especially the tonsured makeover. When the audience are getting used to his old age looks, this movie has broken the preconceived images.

In general, the movie has quenched the thirsty fanatics of Rajni. And as usual, Rajni has attracted the crowd with fierce action movements and unreal gravity controlled camera sequences. But this movie doesnt deserve an extreme hype that was given.

In short, sivaji is an stereotypical Rajini movie garnished with extravagant expenditures.

Phony Cinemas

I was just wondering how herculean would it be if I happen to watch a person thrashing almost 20 brawny individuals in reality. Sounds cinematic..right.. It is possible only in cinemas. A lean fellow knocking everyone who stands against him, an age old person smacking down muscular men in no time, what not..everything is possible in big screen for a simple reason of emphasizing a heroic image. Telugu industry seem to be a king and a trend setter for these.

Tollywood, an industry new to me (saw few telugu movies of late), is no different from the commercial Tamil movies but I found it more repulsive when it comes to these unreal and unimaginable action sequences which were aggrandized to a great extent. Gravity controlled shots, heroes flying in unwonted gestures, smashing a whole city in no time, totally unaffected even after stabbing with a poisonous knife, what not.... Everything for a single reason that hero is always unstoppable. Even he is a human right....Do directors think public will accept anything when a tag named "ABOLISHING EVIL" is attached? Are they aware that these unfathomable actions at times became hilarious? (Vijayakanth's and Rajinikanth's movies)

It is high time for a dose of reality. I do accept that a commercial movie can't be taken without a wild and violent action scenes. But that shouldn't mean everything should be unimaginable. Action sequences can be handled with a tinge of reality.

Further to this, when such a movie is a box office hit in one industry, the same thing is carried over in the name of remake. Vijay, Simbu, Jayam Ravi, etc.. are branded as commercial heroes and are well known for their remakes & adaptations. Very few good movies are remade in other languages that too only after adding spices in the name of fights, hero introduction, mass attraction. (Manichitrathazhu remade as Chandramukhi with too much extra spices). A successful monetary return after the release of a stereotypical movie is good enough criteria for a remake. Are the directors running out of fresh stock and innovative storylines? Do they think they can't attract crowd without a stereotypical framework?

These questions remain unanswered as usual.

- Diwakar